My wife and I were were talking the other day and, I don’t remember what we were even talking about, but the idea came up that we would need an oreo for. I joked about getting one from my secret stash. This is where she made her mistake. She said “oh right, like you could have an Oreo stash without me knowing about it.”
I’m sorry?
That’s a challenge.
Oreos aquired.
I’m going to hide them in a super simple place at first
But be sure to follow this post while I chronicle all the ways and places I hide them and also how I plan on taunting her with cookies while she can’t find the package
She is out of the house for a moment so it’s time to enjoy a few cookies
And find a new hiding spot
Hehehe
They up there
Normally I’m a Oreos with milk kinda guy, but I’ll take coffee if coffee is available
Now to hide them right under her nose
She never looks under the TV for anything. Tonight when we are watching Halloween Wars I’ll have a big dopey grin on my face
Time to up the stakes. It was fun having em here and hiding them around her while she didn’t know what was happening. Bit now it’s time for her to be in on the game she is playing
Four cookies packed in her lunch. Game on
I’ve been cleaning house today and feeling like I’ve done a pretty good job. Time to reward myself with some delicious Oreos
Aaaaand put them where she would never find them in a million years
🙂
Got up early this morning and helped pack everyone’s lunch. Pulling a damn Oprah over here
You get some cookies! You get some cookies! Everyone gets cookies!
Then a devious idea struck me…
I put the remaining Oreos in a baggie to hide by themselves. Now to “hide” the package where it will probably be found…
And pin the actual stash to the inside of the closet wall
If you two weren’t already married I’d beg you to marry her because you two are obviously perfect for each other and I love this post with all my heart
This guy’s dopey grin at his success at hiding oreos is exactly what I’m here for
You like that eh? Well you are going to love today’s installment
Look at that. So sad. So few Oreos left
Guess I’ll just pin em right to the middle of the wall in the middle of the living room. She’ll never find em there
Oh, guess I should put this back up
Bwa ha ha ha! You guys! You guys don’t understand! I was planning on doing this and when I got home and looked at it I was like “aww, it’s too thin. They won’t fit.” I even TOLD my wife this and how I was disappointed that I wouldn’t be able to hide them back there.
But then I looked again. They dooooo
Thank you all so much for the love. I knew y’all would like this, but I had no idea you would like it THIS MUCH. People calling us “goals” and stuff… Man…. It’s kinda hard to take in ya know? Anyways: if this post gets Over 9000™ before I get off work today I will pick up Halloween Oreos on my way home and this will not stop
She is so happy that the Oreo Saga continues. Just look at how happy she is
Came home to find this
But she never looked inside the blue chair
Good stuff, but it’s time for some cookies
Gotta have some while I think about where these guys are going next
Hmmmmm
Got it.
Ohmygosh oh. my. gosh. You guys. Near disaster. Check this shiz out:
Wife and I were sewing Elly’s Halloween costume up
Yea, she is going to be a spider and it’s super cute and all but. But. Loooook
Holy actual shit the Oreos fell out from the table literally next to her.
The moment she got up I threw them into the closet
Also:shout out to whoever it was that lost a follower for this post
Sry bout that eh.
Long, but worth it.
That’s what she said
SO ANYWAYS in honor of Halloween, the oreos have been moved to the Christmas decorations.
I figure I COULD leave them there till thanksgiving. We’ll see if I feel the need to move them again before then
Fa la la la la sucka
Happy Halloween
You guys wanted an update and I am finally ready. I have been thinking of a great place to hide em and I think I finally have an epic place. Just gotta go get em
Uh.
Well.
This wasn’t part of today’s plan.
Oh my god… This post just keeps getting better and better.
You should start looking for them.
Hmmmm maybe I should. Okay
Found em!
Ahhhh ok
Yo. What’s up.
Got some separated and ready for lunches tomorrow morning.
Lets see you find em in here babe
Oh, also
this is the kind of content i’m going to miss when we all disperse to other platforms.
so idk when the last time I mentioned it was, but I was probably at 14, because I just need to do 20 now to be done with the 15-20 stretch, because I want to reference for that one, but 21 i’m just like, whatever colorful background, fine, there’s hardly any references anyway of that one so just make some shit up.
also it gained a panel? technically? except I’m just calling it 15b since it’s no drawing, just words, and like 33/34 of those words are the same word. at least it’s something to scroll along to for like a minute of the song and go wow… that person really just sat there and counted the number of times that word was said, and then wrote them all down.
I didn’t… like have to… but sometimes when I see lyricstucks and the artist just skips past these big sections of just music with no words and that’s mildly sad, or there are panels but there’s no way of knowing what speed I ought to scroll at if I haven’t heard the song before, I just wanted something that could act as a marker I suppose, like, once the word starts repeating you can kinda just glance at each one and then when you hit the bottom thats when you progress.
there’s some stupid jokes I hid in these panels, especially in the earlier part, and since when I started this and now, I realize there’s an opportunity to add the menacing shorts guy in there somewhere. which could be fun.
i’m feeling good about it right now, sometimes I swing back and forth between my art sucks ass and nobody will like it, and this is great and colorful and I love it and people are gonna love my gifs, and at most I have some quibbles with anatomy that I am not quite sure how to fix, or at least, don’t want to spend more time on to try and fix. this is already SO LONG. I almost wish I was keeping track of the time I have spent on this, but I’m sure it’ll probably be something like 300 hours by the time I’m done.
what’s killing me the most now is restraining myself from posting any of the stills, especially like some of the pre-gif individual slides that goes into these panels because having to index the colors kinda mars the earlier slides more, cause I forgot about having to limit my pallet like that, and it shows the worst in the very first real panel (the title card panel is fine) where it got a lil artifacty. thankfully my sibling let’s me yell about it occasionally and show them my progress, which helps. they even promised to reblog it, which is really sweet since they really don’t care about homestuck at all, and basically only know what they’ve osmosis’d through tumblr and what I explain about it.
but like I have so many pieces of art that i’ve already sunk a lot of time into and I’m not even at the halfway mark yet but I want the praise now you know? I like this character, I love this song, and I love bright contrasting colors and I’m just DESPERATE to share it already. why can’t I be done already?
What annoys the FUCK out of me about the ‘all historians are out there to erase queerness from history’ thing on Tumblr is that it’s just one of those many attitudes that flagrantly mischaracterises an entire academic field and has a complete amateur thinking they know more than people who’ve spent fucking years studying said field.
Like someone will offer a very obvious example of – say – two men writing each other passionate love letters, and then quip about how Historians will just try to say that affection was just different ‘back then’. Um…no. If one man writes to another about how he wants to give him 10 000 kisses and suck his cock, most historians – surprise surprise! – say it’s definitely romantic, sexual love. We aren’t Victorians anymore.
It also completely dismisses the fact of how many cases of possible queerness are much more ambiguous that two men writing to each other about banging merrily in a field. The boundaries of platonic affection are hugely variable depending on the time and place you’re looking at. What people mock us for saying is true. Nuance fucking exists in the world, unlike on this hellscape of a site.
It is a great discredit to the difficult work that historians do in interpreting the past to just assume we’re out there trying to straightwash the past. Queer historians exist. Open-minded allies exist.
I’m off to down a bottle of whisky and set something on fire.
It’s also vaguely problematic to ascribe our modern language
and ideas of sexuality to people living hundreds or even thousands of years
ago. Of course queer people existed then—don’t be fucking daft, literally any
researcher/historian/whatever worth their salt with acknowledge this. But as
noted above, there’s a lot of ambiguity as well—ESPECIALLY when dealing with a
translation of a translation of a copy of a damaged copy in some language that
isn’t spoken anymore. That being said, yes, queer erasure happens, and it
fucking sucks and hurts. I say that as a queer woman and a baby!researcher. But
this us (savvy internet historian) vs. them (dusty old actual historian)
mentality has got to stop.
You’re absolutely right.
I see the effect of applying modern labels to time periods when they didn’t have them come out in a bad way when people argue about whether some historical figure was transmasculine or a butch lesbian. There were some, of course, who were very obviously men and insisted on being treated as such, but with a lot of people…we just don’t know and we never will. The divide wasn’t so strong back in the late 19th century, for example. Heck, the word ‘transmasculine’ didn’t exist yet. There was a big ambiguous grey area about what AFAB people being masculine meant, identity-wise.
Some people today still have a foot in each camp. Identity is complicated, and that’s probably been the case since humans began to conceptualise sexuality and gender.
That’s why the word ‘queer’ is such a usefully broad and inclusive umbrella term for historians.
Also, one more thing and I will stop (sorry it’s just been so long since I’ve gotten to rant). Towards the beginning of last semester, I was translating “Wulf and Eadwacer” from Old English. This is a notoriously ambiguous poem, a p p a r e n t l y, and most of the other students and I were having a lot of trouble translating it because the nouns and their genders were all over the place (though this could be because my memory is slipping here) which made it hella difficult to figure out word order and syntax and (key) the fucking gender of everything. In class, though, my professor told us that the gender and identity of the speaker were actually the object of some debate in the Anglo-Saxonist community. For the most part, it was assumed that the principal speaker of the poem is a woman (there is one very clear female translation amongst all that ambiguity) mourning the exile of her lover/something along those lines. But there’s also some who say that she’s speaking of her child. And some people think the speaker of the poem is male and talking abut his lover. And finally, there’s some people who think that the speaker of the poem is a fucking BADGER, which is fucking wild and possibly my favorite interpretation in the history of interpretations.
TL;DR—If we can’t figure out beyond the shadow of a doubt whether the speaker is a human or a fucking badger, then we certainly can’t solidly say whether a speaker is queer or not. This isn’t narrowmindedness, this is fucking what-the-hell-is-this-language-and-culture (and also maybe most of the manuscripts are pretty fucked which further lessens knowledge and ergo certainty).
Also, if there’s nothing to debate, what’s even the fun in being an historian?
All of this.
I had a student once try to tell me that I was erasing queer history by claiming that a poem was ambiguous. I was trying to make the point that a poem was ambiguous and that for the time period we were working with, the identities of “queer” and “straight” weren’t so distinctive. Thus, it was possible that the poem was either about lovers or about friends because the language itself was in that grey area where the sentiment could be romantic or just an expression of affection that is different from how we display affection towards friends today.
And hoo boy. The student didn’t want to hear that.
It’s ok to admit ambiguity and nuance. Past sexualities aren’t the same as our modern ones, and our understanding of culture today can’t be transferred onto past cultures. It just doesn’t work. The past is essentially a foreign culture that doesn’t match up perfectly with current ones – even if we’re looking at familiar ones, like ancient or medieval Europe. That means our understanding of queerness also has to account for the passage of time. I think we need to ask “What did queerness look like in the past?” as opposed to “How did queerness as we understand it today exist in the past?” As long as we examine the past with an understanding that not all cultures thought same-sex romance/affection/sexual practice was sinful, we’re not being homophobic by admitting there can be nuance in a particular historical product.
I know a lot of very smart people who are working on queerness in medieval literature and history. And yes, there are traditions of scholars erasing queer history because they themselves are guided by their own ideologies. We all are. It’s impossible to be 100% objective about history and its interpretation. But that doesn’t mean there isn’t good work being done by current scholars, including work that corrects the bad methodologies of the past.
also yeah, the key thing that’s helped me as a student of history is learning that using language outside of modern labels shouldnt erase queerness, but should complicate it.
Jesus Christ all of this
i think a lot of kids of tumblr have this vague grudge against ‘straightwashing academics’ that they actually picked up from their highschool curriculum, which is kind of a completely different thing. like, it’s not ‘academics’ that’s the problem when it comes to american teenagers being fed an extremely white, straight, patriarchical version of history; it’s your fucking government.
just two days ago, i was thinking, “you know what i haven’t done in a while? write a story about some stupid and embarrassing thing i’ve done. i wonder if this is because i’m twenty-seven and no longer a bumbling idiot who can’t make it through her day without bringing shame on her family?”
haha! said the universe. this bitch really thinks!!!!!
so this morning i was riding the bus to work, because i’m a grown up, who has a job, and i must take not one but two busses to get there. and i get off the first bus feeling a lot of hope for not just the day but the whole week. last week was cloudy and overcast, but this week! this week is going to be different. it’s sunny. i’m going to be productive. i’m going to be focused. i’m going to get things done.
spoiler: i’m going to abandon all these plans immediately.
i reach into my pocket to retrieve my wallet, which has my transit pass in it, and realize: it’s not there. it is also not in my other pocket. it is also not in my gym bag.
it is still on the bus.
you know that feeling when you’ve lost something where like, just before you go to see if you lost it you already know that you lost it?
it’s like how neo slows down time to dodge bullets in the matrix except instead of being that, it’s me realizing i have already done something incredibly stupid.
the problem with my wallet still being on the bus is that i myself am not still on the bus, which means that with every second, my wallet is getting farther away from me. this is distressing for many reasons but primarily i’d say that i don’t like it when my money and i are parted. i don’t have a lot of money, but what i do have i like to keep a very close eye on, because i need it to live, you see. still, there are lots of other things in that wallet that i don’t want to be parted from:
my drivers’ license, which i don’t use to drive anymore but is a nice picture of me and is also the world’s most ANNOYING thing to replace,
my work credit card and ID to get into the building,
my ventra transit card,
a wine punchcard on which i am only THREE WINES away from a $1 bottle of wine, and
a little post-it with the combination to my gym lock, which i am too dumb to remember but which i desperately need if i ever want to retrieve my running shoes from my gym locker.
i mean … y’all know that the only thing to do is chase that bus down. i’m not gonna cross my fingers and hope my wallet makes it to the lost and found. i don’t have that kind of luck.
my outfit for today was very, “90s straight girl meets her boyfriend’s sister and IMMEDIATELY becomes a lesbian,” so i was wearing 5-inch heels that weren’t conducive to running, which means i did the only sensible thing there was to do and kicked them off so that i could chase the bus in my bareass feet down the streets of chicago.
was this “safe”????? no.
but was it liberating???? also no.
did my foot my foot bleed and did it probably contract the black plague????? FOLKS IT DID!!!
anyway, there i went, sprinting down the sidewalk in my yellow floral romper and white jacket, heels in my hand, gym bag swinging behind me like a cartoonish ball & chain, and of course, because of who i am as a person, i almost immediately took a bad step.
friends, to say that i fell is to miss what happened, which is that i took an eight-foot vertical leap and did not land on my feet.
you know those cartoons where a cat gets scared and it jumps so far into the sky it touches the moon?
you know those videos of people with those water jetpacks where they can’t control them and they go rocketing through walls like the kool-aid man?
you know when a basketball player does that thing where they’re gonna dunk but they just absolutely whiff and end up lying dazed on the basketball court while whole stadiums of people laugh at them?
“oh my god,” someone yelled, maybe from their car, maybe from the bus stop, maybe literally god himself.
i looked up, dazed. there was a crowd of at least five people around me, all of them helping me to my feet, gathering my things. one very kind and very brave man ran out into traffic to retrieve my travel coffee mug, which – shoutout to my hometown’s endodontics practice, spilled not one single drop.
“are you all right?” one of the good samaritans asked. “holy shit you were – you were airborne for so long.”
you know when your brain has been scrambled and you know there’s some way you need to be reacting but you can’t make your body react that way?
i was like: “i have to catch that bus.”
“there are other buses coming,” Coffee Savior said. “like – in just a couple minutes.”
“no, i need that one,” i said, for some reason not realizing that i ought to clarify that my wallet was on that bus. one of the women, very kindly and warmly, stepped in close to me and put her arm around my shoulders and said, “between us girls, your boob is out.”
i looked down. the strap of my jumpsuit had popped off my shoulder, and indeed, my boob was out. i zipped up my white (WHITE. IT WAS WHITE. WHY DID I WEAR WHITE TODAY? YOU NEVER WEAR WHITE AFTER LABOR DAY!!!) jacket to hide this problem, which feels like a problem for Later Molly to deal with.
i took my things back from them, put my heels in my hand, and inexplicably left them with a cry of, “thanks, i love you,” before sprinting off again.
“THANKS, I LOVE YOU,” Shouts Bloodied Area Woman To Crowd Of Strangers While Running Barefoot Through Urban Center
i thought i’d become A Runner in the past few years by some weird fluky accident, but it turns out that i’d done it specifically so that i could chase this bus through not one but TWO intersections, because just as i reached it both times the light turned green. but when you’re already bleeding for a cause, giving up just feels like a waste.
this is called the fallacy of sunk cost, and it’s a stupid things human do that we shouldn’t.
i know this but i chased a bus for three blocks anyway and that just goes to show that the human mind is an enigma.
eventually, while turning a corner, the bus driver noticed me. he slowed down, looking perturbed by how far my fortunes had fallen since the last time we saw each other – which was less than five minutes ago – when i was, a) not bleeding, and b) not yelling at him.
he opened the door.
“i left my wallet,” i explained.
he blinked at me, but before i could get on, a man from the back row came running up to the front, holding my wallet in his hand. “you left your wallet,” he said, as if this would be news to me.
“you left your wallet?” asked the bus driver, in a tone that indicated what he meant was, why are you bleeding??????????
i took my wallet very gratefully from the other passenger.
i said, “thanks. i love you,” and the doors of the bus closed.
A faerie introduces himself. Then, holding out a hand, asks, “And your name, please?”
And, like a fool, you give it to him.
I got asked for clarification on this (but can’t reblog that particular post cuz on mobile), which I’m more than happy to provide.
In this post, a faerie is asking for ‘your’ name. The way he is wording it, however, and the accompanying beckoning motion, makes it seem as though he is asking for you to physically hand your name over. Which, because of how some faeries operate, he is.
In this instance, saying your name aloud to the fae would be literally giving your name over to him, the exact consequences of which are left up to the imagination–usually, a fae even knowing your name gives it some measure of power over you, but giving something your name would likely let it completely take over your life.
In this instance, the wording you want to use is something like “I will not give you my name, but I will tell you that it’s [name].” Alternately, you can just lie to him.
Might i suggest the less direct yet still name-preserving “you may call me…”? It dodges the request while still giving an answer of a name, which does not even have to be yours, but any name you feel like telling the fae they can use to refer to you. I would recommend “Ainsel”.
The first time he asks for your name is the first time you meet him. He appears as you walk by the færie ring, that you have not entered because your grandmother has repeated so many times not to do so, and, curious of your presence, watches as you jump when you notice him.
You recognize him instantly. It is the Fæ whose influence your village is under, the one the elders have told you and your friends to be wary about, for the people who have been seen walking away with him have never come back.
You don’t know what he does to them. The villagers have never dared to confront him about it, never dare to address to him at all. He is not evil: he sometimes speaks blessings upon the cattle, talks the horses to calm after a storm, ensures a good harvest for the farmers, makes the flower bloom in spring even when the weather is still too cold. He is, simply, a Fæ, whose ways humans cannot understand.
“Hello, little one,” he says as you stand very still, back straight, hands fidgeting with the fabric of your skirt.
You do not go away – you cannot. This, your grandmother has taught you, would be considered as an offense, and you could be cursed, or he could take out his wrath onto the village. You do not shy away from his stare, however, even not knowing if this will displease him or not. You are eight, have the courage and the recklessness of your childhood innocence, the boldness of those who have not yet learnt how to fear; but you have been warned against the Fæs, who like to toy with humans and play tricks upon them, so you do not defy him either.
He walks up to you. You pray he will stay in the færie ring, as it feels like a protection, and fortunately, he does. He isn’t too malicious to the youngest ones, you have been told once – just do not know if this is true or not. You knew a girl your age called Nimia, that has been caught a year ago, and she has never come back to the village, and her parents have cried all week cursing the Fæ.
You summon to your memory everything your grandmother has taught you to ward off Fæs, and protect yourself against their tricks. You do not want to be the next Nimia.
He introduces himself as Áed, although you suspect it is merely a nickname. Then, holding out a hand, he asks, “And your name, please?”
There is your grandmother’s warning at the back of your head: names give power over people. The Fæ is asking you to literally give him your name, and who knows what he’ll do with it – he might as well use it to take you away, like he surely did to Nimia. To all the people who have never been seen again. To your own mother, two years after you were born, even though she was too clever to be caught by a Fæ’s trick.
So you remain quiet, watching him with wide eyes, until his own stare darkens, and he shakes his hand under your nose.
“Your name, little one.”
You pull yourself together. He might curse you if you don’t answer. You gather your courage, and, with the spontaneity of children who have freedom in their veins and do not bend to rules, you stretch out your hand back without touching his.
“I am sorry, lord Fæ. I haven’t heard you very well. Can you give me your name, please?”
He looks at you with surprised amusement. “Oh, well played, little one. You’re clever. Just for this one, I will let you go.”
He retreats his hand, and you scramble back as quickly as you can, bowing to him clumsily before taking your leave.
You had passed by the færie ring to go the well to wishes, even though the elders forbid the youth its access, disobedient little child that you are. You just wanted to wish for your father to let you wear your mother’s necklace – ‘not yet’, he always says, ‘when you are thirteen’. You forget about going there, after this encounter. You go back home, and your grandmother scolds you for having been gone for so long.
You do not tell her about the Fæ. She has already lost her daughter to him. If she knew he had tried to lure you, you would not be able to leave the house again – and you value your freedom too much for that.
The second time he asks for your name, you are fifteen, and you have ran to the well to wishes again, forgetting the elders’ warnings. You have sworn to yourself you would not go back home anyway. You are not sure what you want to wish for, but at least for all this pain within you to fade; just to be more, or maybe less, like your mother, to accept the village’s rules better, to simply fit in and be happy that way.
Eyes full of tears, breath uneven, barefooted on the grass, your mother’s necklace beating against your chest as run, you have not made a detour to avoid passing by the færie ring. You trip and fall in front of it, and Áed finds you curled there, crying and cursing to the world.
“Those are not pretty words,” he says.
You freeze. You push yourself on your elbows, sees the færie ring, feels dread slip into your head. It is only the second time you see him, and you are not a child anymore. You have learnt to fear.
The Fæ, who has taken Nimia, then Lettie, on the day of her wedding, and even the old Mack, hovers over you curiously, at the edge of the færie ring. You remember to keep still, not to offend him. You feel the fear you should have felt when you were eight; and yet again, as tonight sadness and despair have already filled your heart, you do not manage to remain terrified.
“I don’t care,” you answer, sitting on your knees.
He finally sits down, too. He does not talk, so you do not feel compelled to talk either, and silence stretches between you for a while.
“Were you going to the well to wishes?” he asks eventually. You nod. “It does not work anymore. Whatever you wish for, it will not grant it.”
You feel your chest tightening.
“You might not say the truth.”
He smiles. “Indeed. I might not. But you can try yourself.”
It might have been his way to allow you to leave – but you do not find it in yourself to do so. You are tired. You have run as fast as you could from your home. Your grandmother must be worried about you, and she will probably never let you stray from the village again. Your father’s shouts still resonates in your ears, saying you are not a good daughter, that you will never be, asking why you feel such a need to always run free, just like your mother, then asking why you cannot be her.
You know you should listen to your elders, tame yourself, learn to properly take care of your household, and stop fleeing from your duties and your classes to explore the wild. You just cannot help it. You were already a disobedient child; but the teenager you are now cannot bear authority.
Freedom.
Is it too little to ask?
“Are you going to stay here?” Áed asks.
You shrug, unable to answer properly. You feel too pitiful to try to talk with a Fæ – a tricky exercise, as Fæs like to twist words as they like and get human souls from a clumsy sentence.
“You can,” Áed then says. “I will watch over you.”
“This sounds too nice, lord Fæ.” You haven’t been able to prevent the dryness of your tone. “It might be another trick.”
And yet, you lay on your back, somewhat desperate, arms crossed behind your head, not knowing where else to go or what else to do. The Fæ, after all, is not evil, you remind yourself. He also does good things, occasionally. You might just be lucky.
“Aren’t you afraid, little one? I know you do not trust me.”
“I am too tired for that.”
He laughs. “Will you not give me your name, then?”
“I cannot give you my name,” you reply. You know what it would lead to. Giving your name to a Fæ is giving him the power to take over your life. “But I will tell you that it’s…”
You hesitate. The Fæ knowing your name would also give him some power – that is what has lost Lettie, you’ve been told.
“Elaine.”
You close your eyes, and Áed simply laughs. He does not speak afterwards; yet you remain wary, and heavy thoughts are on your mind, so you do not find sleep easily. You end up turning towards him, and opening your eyes again, wondering if he has left, too bored to stay watching over a sleeping human.
But he’s still there.
“Little liar,” he says, not smiling but not sounding angry either. “This is your mother’s name.”
You are somehow not surprised he has noticed. Your grandmother said your mother used to go the well to wishes often – she might have met him too, talked with him, before he took her away. Just like you, your mother didn’t fear the way to the well to wishes and the færie ring. The same recklessness, the same need for freedom runs into your veins. That might be why your family is so afraid to lose you.
“You remember her?”
“I do. I remember Nimia, also. That foolish girl, Lettie. The old Mack, who tried to cut the færie ring. And all the others.”
“Why do you take them away?”
He looks at you. “Humans are fascinating. You poor little things, so weak and powerless, your lives are so short, and you do not know half the wonders that exist. And yet. You manage to find happiness.”
You feel yourself drifting off to sleep, listening to the soothing velvet of his voice. Exhaustion has caught up to you. Your eyes are already closing off.
“It is no reason to take it away from us,” you murmur, tiredly.
He keeps on staring at you, but does not answer. After a while, you simply close your eyes again, and this time, sleep finds you after a few minutes.
When you wake up, Áed is gone. You go back home, and your grandmother cries when you arrive. She forbids you to leave ever again. Your father apologizes for his harsh words, and you apologize for your rebellious attitude.
“Where were you?” your grandmother asks, once the calm has returned to the household.
“I slept by the færie ring,” you say. “But the Fæ wasn’t there.”
You can hear it in your head, ‘little liar’ said with his voice, and it somehow makes you want to smile.
“You shouldn’t,” your grandmother admonishes. “Your mother used to do that too, and look where that led her. You were lucky.”
“Yes,” you reply, and this time you think it, too.
The third time he asks for your name, four years have passed ever since you have slept by the færie ring, and your grandmother has still not allowed you out of the village. She does not like the longing looks you throw to the forest and the valleys beyond either, says you are now of age to be married, and should do so before she picks you a husband herself. This annoys you. She has, however, loosened her strict watch, and you can come and go out of the house mostly as you please.
For a few months, now, Kevan has been courting you, and you enjoy having the freedom to spend time with him. He is the blacksmith’s son, has had several lovers before you; but he assures you he can only look at you now, that you are the special one, and he swears if you marry him, he will make you the happiest woman of all Qelt.
You always laugh at that. He is cute and charming, but freedom is still your keyword, and you do not see yourself speaking vows to anyone yet. He shrugs, whenever this is your answer, then takes you in his arms, and makes you laugh some more.
But tonight, he doesn’t shrug. He has drunk, you know, maybe too much, and you look at him in slight fear when he grabs your arm too tightly after you have refused him once again.
“Why?” he groans. “I’m nice to you.”
“I know, Kevan,” you reply, trying to keep your calm. He is simply drunk. You have talked to more drunk boys than one, nothing has ever happened to you. “Now let go of me, please. I told you, I simply do not want to marry yet–”
“You do more than that. You refuse yourself to me. I’m courting you, but it never goes further than an embrace.”
“I do not owe you more than an embrace. If this bores you, you’re free to woo another woman.”
He pulls you to him, and his grip hurts, this time. “I do not want another woman!”
“Kevan, you’re drunk!”
You put a firm hand on his chest to keep some distance between you, keeps your head away from his. You know what he wants, but you do not want it.
“Why don’t you love me?” he asks, accusatory.
Part of you feels guilty. Part of you feels angry.
“I don’t owe you feelings.”
“You’ve seduced me. You’ve let me court you.”
You thought you loved him. You simply wanted to take it slow, to grow a friendship with this charming boy, before doing anything. You enjoyed his attention. You enjoyed playing this little game of cat and mouse with him, thinking it would end well for the both of you once you would have decided your freedom could also be with him.
But not anymore.
Your freedom cannot be with a man who will not wait for you, yet will not move on to someone befitting him better.
“I just wanted time, Kevan,” you try, despite knowing the idea of a future with him is over. “Can you understand that?”
“No!” he roars. “I’ve waited enough. You’re mine, you hear me?!”
“You’re drunk, you don’t know what you’re saying, you-”
“YOU’RE MINE!”
He pulls you closer, and you break free. He screams your name, but you’re already running out of the inn, under the confused eyes of the other villagers who have always seen you two getting along so well, and do not understand what has happened.
Kevan screams your name again, chasing after you.
Fear takes over.
What is he going to do? He is drunk, simply, he surely himself does not understand his own acts. But what if he catches you? Will he just shout? Will he cry? Will he stop himself, being the charming boy he has always been?
Unless this charm of his was nothing but a way to get into your bed, and this friendship you wanted, he has never had any use of it?
And if he catches you, he will get his way with you, whether you want it or not?
No, he wouldn’t do that. He isn’t like that. He might not go that far.
But you can feel his need for bruising kisses, for his hands on your skin, at least, and you can see yourself crying as he holds you tight and calls you his, because it is not how it was supposed to be – and this, you do not want at all.
He calls you names. Yells insults. You run, never turning back, never slowing down. You cannot lead him to your home, you think. Your grandmother and your father are sleeping and you should not even be out, and he would get you before the door.
So, you keep on running.
Your legs carry you to the only place where you’ve found safety outside the village, and when you hear Kevan’s voice louder, his steps closer, you scream before diving into the færie ring.
“ÁED!”
He receives you in his arms. You fold against his chest, trembling and still unable to believe the man you thought could become your husband has gone as far as chasing you outside the village, to the færie ring all villagers avoid.
You do not even want to know how Kevan has reacted. You breathe in and out, slowly, letting Áed hold you and stroke your hair.
“Easy, little one,” he whispers to your ear. “Easy.”
“What are you doing?!” Kevan’s shout. He sounds afraid. “Get back here! It’s–”
“Hush, human.” You have never heard Áed speaking so coldly. Kevan falls silent – drunk or not, every villager knows to respect the Fæs. “This one is under my protection.”
There are no words exchanged for what seems to be a long, long time. You can hear Kevan’s ragged respiration behind you, just one meter away. The færie ring feels like a protection once again; yet you’re inside, this time, and that’s where you feel safe.
“Leave.” There is the hint of a threat in Áed’s voice. “Now.”
Kevan’s steps finally hurry away after a few seconds of hesitation, and you break. You cry. You cling on Áed’s tunic, and you shed your tears, resting your forehead on the crook of his neck.
“It’s okay, little one. He’s gone. You’re safe.”
You somewhat forget he has taken your mother, Nimia, Lettie, the old Mack, and all those other missing villagers from before you were born, during the centuries he has lived. You somehow forget of what you risk, being in a færie ring, in a Fæ’s embrace.
And Áed does not lie to you. You’re safe. He lets you cry in his arms, without asking anything of you, without taking you to Fæqelt, the holy land where his kind resides, without any tricks or malice.
“I do not want to go home,” you murmur.
“It is okay, little one. You can stay here. The færie ring is safe for you.”
You pull away to look at him. “Are you not going to trick me?”
“I won’t.” He is grinning. You believe him, even though you should not.
“Not even ask me for my name?” you try to joke, pathetically.
He raises a brow. “Would you give me your name?”
“No,” and this time you’re smiling, even just a little. “But you may call me Ainsel.”
He laughs and ruffles your hair, and keeps on calling you ‘little one’ – he’s a Fæ too old to be tricked back that way. You end up laying down side by side in the færie ring, and he talks with you until you fall asleep.
When morning comes, you’re in your bed. When you finally stop avoiding him, a few days later, Kevan apologizes to you, then never talks to you again.
You prefer it that way.
The fourth time he asks for your name is very soon after. You come to the færie ring at night, darkness being the only way to escape your grandmother’s watch to leave the village, though you do not enter it.
Last time seemed like an emergency situation. You are not sure you can be so lucky not to be tricked by the Fæ again.
You are not so sure why you have come here either. Maybe it is the fact that you have started appreciating Áed, despite all his evil deeds – that he yet does not see as evil, simply as a Fæ’s doings. Maybe it is because you are starting to understand that your parents’ wedding and your birth was, for your mother, more of a curse than a blessing; and that the same fate of having to bend yourself to what everyone is expecting you to do might be awaiting you as well.
But maybe, it is just the freedom of being able to run under the moon wherever you want, and feel the wind into your hair, away from a village you love but which has started to grow too small for you.
“Little one!” he calls when he appears. He seems surprised, but pleased. “I did not expect to see you so soon. Are you going to the well to wishes?”
You shrug. “No, I wanted to see you. Please do not ask me why.”
“Why?” he maliciously asks.
You shake your head, raise your eyes to the sky. That makes him laugh. He is infuriating, in a way; yet you cannot help but smile.
“How are things, with the ruffian?”
“He has apologized, but has stopped talking to me. He thought me going into the færie ring was a dream, though. I’m glad of it. Had he talked about it, it would have caused me troubles.” You grimace. “My grandmother would have locked me in the house, and married me off immediately.”
“And I could not see you again?” he exclaims. “Horrible. Why would she do such a thing?”
You look at him quietly, and his expression shifts to a less mischievous one.
“She has already lost her daughter to you,” you say, voice soft. “She does not want to lose her granddaughter.”
He opens his mouth to talk, closes it. You are convinced that years ago, he would not have reacted the same way. Would not have taken it so seriously.
“Do you miss her?” he asks.
“I was two, when you led her away. I did not know her well. But my grandmother and my father miss her, and I have always been able to feel there was something lacking in our home.”
He nods. You nod back. There is something strange, in the atmosphere, though you cannot say what. You are not sure he regrets what he has done – how could he? He remains a Fæ, after all -, but you know he has no intention to talk about it with any kind of pride anymore.
“Come here, little one,” he finally says. “And I promise, nothing will happen to you. I will not bring you any more harm.”
You step into the færie ring, standing proud in front of him. Your heart is strangely beating hard in your chest, and he smiles at you, eyes gleaming with a light which is not mischief, but something much softer.
“Will you give me your name, little one?”
It is not a bargain. He already knows your answer.
“You will let me refuse, won’t you?”
He winks. “I will.”
“Then, I can’t give you my name,” you decide, amused. “You are still welcome to call me Ainsel, however.”
“Oh, ‘little one’ suits you better.”
You laugh, and you two sit in the færie ring to talk again, and you tell him things you cannot tell anyone else – you tell him about your dreams of freedom, your wish to explore the world, even Fæqelt, the fact that the village has started to be a prison for you, instead of a home, that your family is your anchor but not your guide, about your need to leave.
He listens. He gives you some answers. Tells you about Fæqelt, about how færie rings can be used to travel within all Qelt and beyond, about himself, also.
And you start thinking it wouldn’t be so bad, traveling with him.
You start coming back to the færie ring more and more often. You are curious about him. A strange bond has started developing between you two, and the more you know about him, the more you notice the constellation of golden freckles on his cheeks, the way his eyes glint with a reflect of starlight, how his laugh sounds when he’s particularly happy, the softness of his smiles which are not tainted with mischief.
Soon, you find yourself craving for those interactions.
There is no one else in the village able to understand you, to support your desire to wander around the world. No one else to talk about travels and adventures with. Even your childhood friends, who have shared all your ups and downs, cannot get why you do not want to become a fine housewife, and live the rest of your life surrounded by what you have always known.
You know, now, why your mother has walked with her hand in Áed’s, while she was too clever to be taken away.
It was the craving for freedom.
She should have known better than abandoning her family; but you can understand how trapped she must have felt in this little village, especially if a marriage and a baby was not what she had wanted. She must have looked longingly to the forests and valleys beyond the village, as you now do, and must have thought it would be better to be led astray by a Fæ than to remain chained down and become a shadow of herself, needing freedom as one needs oxygen.
You understand.
You would have done the same, had you married Kevan as you planned to, all those months ago.
But one night, you stay too late, and your grandmother is waiting for you when you come home at dawn. She notices the grass on your dress, asks for explanations, does not believe any of your lies.
So you tell her the truth, for she has always been one of your pillars, but she screams the moment she hears you have bonded with the Fæ – and her screams wake your father who cries and despairs when learning what you have done.
For the first time in years, he says again you will never be a good daughter. He cries that you are too much like your mother, with the same craving for freedom, the same desire to leave the village, that if he does not keep an eye on you, you will run away to Fæqelt and never come back. He accuses you not to love him, for your mother surely did not love him and the idea of a family with him – or not enough to stay.
Your grandmother locks you into the house, does not allow you out again except under her watch. She promises to marry you soon, as she did for her daughter when she understood her daughter would one day leave her if she did not. The world is too wild for humans, she tell you. Binding you here is the only way to protect you.
This is for your own good, they say, but it does not do you any good.
The village learns about it. Kevan understands what he had seen that night was not a dream, reveals you have stepped into the færie ring, into the Fæ’s arms. And then the villagers, those people who have raised you, seen you grow, watched you live, whisper that you are lost, and that you are a Witch. They say you will bring bad luck to the village, that you are a channel through which curses and tricks from Fæqelt will pass; but they cannot get rid of you and risk the wrath of Áed.
You are not even sure they know what a Witch is. You do not, not really. Witches are wanderers who have strange powers, people say, obtained through a pact with a Fæ. It is like making vows with mischief itself: Witches might be human, but like Fæs, they cannot be trusted.
You cannot go anywhere without hearing the whispers, or feeling the heavy stares in your back. One day, at the market, you receive a stone from Lettie’s former husband, who did not know better. Your grandmother, ashamed, as she cannot even marry you off to a villager anymore, does not defend you.
After that, you stop leaving the house at all.
And you understand your mother’s decision even better.
The fifth time he asks for your name, it’s Early Summer Night, the beginning of the warmer days, celebrated by the entire village around a banquet. Your grandmother and your father have left the house. They are convinced you will not. No one would want to see you at the banquet, after all.
But your need for freedom is still there.
You escape your home which has become your prison, and you only feel like living again once the wind is in your hair, the grass under your feet, and you can breathe in fresh oxygen. You run. Your legs welcome the dearly missed sensation blissfully, take you to the færie ring.
You do not know where else to go.
“Áed,” you whisper when you step into the færie ring, and he’s there, and you’re in his arms, and he’s holding you so tight you realize he must have missed you like you have missed him.
“Do you know how scared I was, little one?” he asks in a strangled voice. “I thought– I thought you would never come again.”
You break in tears. Everything is too much, feels too much, has been too much ever since your grandmother has discovered you had approached the færie ring. You feel like shattering – and in a way, you do, pressed against his chest, pouring your heart out and wishing this night would not end.
“I thought they had killed you,” Áed murmurs, caressing your hair.
“They wouldn’t,” you sob. “They scorn me, now, but they’re not murderers. And I have done nothing evil.”
“What’s inside you, what you are capable of, it scares them. And scared people lose their minds far too easily.”
You shake your head like a child. “They would not harm me.”
“Not physically. But they could have harmed you in other ways. Your beautiful mind, for example. They could have killed this spark in you.” He pauses. “Forced you to give up on your freedom.”
You think of all those days spent the same way, cleaning, cooking, sewing, all nice tasks as long as they’re not the only ones in your life, looking by the window and desperately wishing to feel the warmth of the sun on your skin again, to walk around without fearing to be called names or to receive stones.
You think of how, had you not known him so well, you would have already escaped and given him your name, for getting lost forever in Fæqelt will always be better than the life you now have.
“They almost did.”
You realize, belatedly, how terrified you sound. Áed takes your face between his hands, looking so worried you think he might cry too.
“Little one, you do not have to remain here. You can leave. That is what you have always wanted.”
“But,” you weep, “they are my family.”
“Family should push you forward, and not hold you back. They might warn you, but they should not bind you. Leave, little one. Take your freedom. They do not own you. Come back to this village a fine traveler and a proper Witch, and show them they were wrong to outcast you.”
You manage to smile weakly. “You make it sound so easy.”
“Because it can be. Witches are travelers who venture into Fæqelt and explore it, little one. That, you can be easily. You have the wit and the courage for it.”
You take a breathe, in and out, the despair in your stomach slowly turning into a glint of hope.
“Aren’t humans supposed to lose themselves in Fæqelt?”
“Not with the blessing of a Fæ,” Áed replies softly, and your heartbeat fastens.
The future, all of a sudden, seems open with a thousand possibilities. You see the roads, the travels through færie rings, the foreign people in the inns, the new towns, the vast, vast world you have always dreamt of seeing, the holy land of the Fæ, mysterious and enthralling, only ever told in myths – and Áed by your side, being his usual self, smiling at you so brightly.
“Yes,” you say to this future, to this everything. “I would want that.”
There is relief on Áed’s face, relief and fondness – as if he had wanted you to say that, for your sake and because that was something he wished for, but was not sure you would bring yourself to do so.
“I will come for you during Midsummer Night, when Fæs can leave the færie rings, and blend in with humans. Be strong until then, little one. Do not let them bind you.”
“Thank you, Áed. Thank you.”
“Just give me your name in exchange,” he jokes to cheer you up.
It makes your chest so warm the tears pour out again. Áed smiles, kisses your humid cheeks gently.
“Next time”, you promise, crying. “Next time.”
You still want to give your village a chance.
Or at least a goodbye.
The last time he asks for your name, you are ready to leave. You are but the shadow of yourself, now. The days until Midsummer Night have been endless. Your grandmother has suspected you had gone out during Early Summer Night, but has not been able to prove it – she now barely talks to you at all. Your father has managed to marry you to a farmer in the next village, who hasn’t heard of you.
You have long wondered why their worry has turned into anger and resentment, why they have caged you, when they simply wanted to protect you. No matter your apologies, your explanations, they won’t listen to you at all.
Now, you suppose it is easier to hate than to forgive, especially when there is finally someone to blame for your mother’s disappearance – for all those disappearances. But they have not realized what they are doing is what drew your mother away from them, what is also drawing you away.
They cannot understand. And what they cannot understand, they fear; and what they fear, they try to keep it locked somewhere until it dies.
“Gather your belongings,” your father tells you when the night is falling. “Tonight, you will meet your future husband. We will celebrate the wedding when the dances end.”
They are taking you to celebrate Midsummer Night in the next village, and are getting rid of you the same day, so that no villager will have to bear your presence ever again. You tell them all goodbye in your head, sat in your father’s cart, the bag containing your few belongings on your lap as you watch the little houses and the streets where you have grown up fade away into the night.
Your future husband is introduced to you as soon as you arrive. He is nice, and his family welcomes you warmly; but you can see they are just like the people of your own village, thinking everyone should be content doing what they’re expected to do, and they would frighten of your need for freedom. You already suffocate when they say everything is ready for the wedding, insist on celebrating Midsummer Night first – and fortunately, they all agree.
You embrace your father and your grandmother before joining in the dances. They do not quite understand when you already bid them farewell.
You share a few dances with your future husband, a charming man who would never be able to understand you, and would fear you if he really knew you. He feels guilty leaving you to go dance with his sister, but you laugh and encourage him to do so.
You do not tell him you will dance again anyway.
That would be a lie.
You watch as he nods and hurries to his family, then change partners yourself, taking the hand of the first man who approaches you–
“Hello, little one.”
–and you nearly cry when your eyes meet his. He is so beautiful, in the light of the high flames lit in the middle of the village, you almost think he is a dream – but he is not, oh, he is not, and you have never been so happy.
“You are of exquisite, tonight,” Áed says.
You are wearing the wedding dress you have sewn yourself, all those days spent in your house, and your mother’s necklace resting on your chest, that necklace you longed for so much when you were just a child, which is the only thing from her your father has allowed you to keep.
“Thank you,” you tell Áed, for calling you exquisite, and for everything else.
He laughs and makes you twirl, and for the first time in what feels like centuries now, you laugh too. He does not let go of you. You do not want him to.
“Will you give me your name, little one?” he asks; but this time, you know what he will do with your name, with your life.
He will set you free.
So you stand on tiptoes, and you give him your name, finally, and he wraps his arms around your waist to whisper his own, real name into your ear – then, when the dance comes to an end, you run hand in hand to your father’s cart to pick up your bag, laughing like children, before disappearing into the night.
No one sees you leave.
It means you might come back one day.
This is the most beautiful thing i have ever read and i hope everyone it comes across reads it and feels the same intensity that i felt beacause it is truly a work of art
hey whatre some good lighthearted games!!!! like games w/o a sad side touchy-heartfelts fine but no like.. serious murder or sad crying
I like the bokujou monogatari series! it’s a cute farm sim game series with a dash of dating sim if that’s something of interest, the romance subplot is optional in most of the games (I can only think of 1 where it isn’t). major downsides are that they’re not trans inclusive in general and they’re heteronormative. the newest ones that allow you to customize your character and allow you to wear whatever clothes you want after unlocking them, but that takes time. If that sounds interesting despite those flaws, I’ll happily talk your ear off about a few of them. most of them are nintendo consoles, ds, 3ds, gamecube, and wii are the ones I think of off the top of my head.
if those downsides aren’t worth putting up with, there’s this early release farm sim game on steam called farm together, which is similar but with zero story lol. it’s pretty relaxing, especially if efficiency number games are are your thing. it’s super zen and nice to not think during.
the only phone game I can think of is this one I adore because it is the best sudoku app I’ve ever seen, with a premium version to remove ads. I don’t know if you like sudoku or not though but if you do, it’s by brainium.
YOURE A SAINT do you know if the farming shit’d be on steam?? sounds like it could b useful next depressive episode
the first series? nah, but this is a REALLY old series you see, and there’s a lot of spin offs based on this, for some of us this is a big part of our childhood. You’ve probably heard of stardew valley, which is on steam, and based what I’ve heard and seen, it’s pretty similar to the harvest moon/ story of seasons games (hm is the english localization of the series up until hm: a new beginning. natsume still owns that trademark and has decided to make their own games which suck; so any thing after anb is story of seasons is the new english trademark and it’s localized by xseed). it’s been on my to play list for a couple years now but because reasons I haven’t been able to try it. I’ve heard lovely things about it though, and I think either just recently, or in the near future there’s some co-op mode?
this is all v kind of u i think one of my friends mentioned a stardew valley co-op thing too that sounds fun… hmm i should look into these i do more housekeeping than anything in fo4 and it feels like these are kinda housekeeping games
you can get DAMN INTENSE with housekeeping if you wanna. efficiency games are so addictive. like.. this is my anb farm map for where I am currently planting what, with green stars on things I am actively fertilizing to increase their rank.
I am sitting on 4 million gold. most of my crops are either 5/5 stars, or will be soon. I only have this map on hand because of my fertilization map, but you can do basically this same level of nonsense in all hm/sos games, and based on gameplay footage of sdv, there too.
but there’s freedom in style too, especially in later game, picking what you want to prioritize planting, and even IF you want to go balls to the wall like I do upranking everything asap. you might go up the crop festival competition ladder more slowly, and that’s valid too! if you just want to play the game to make friends with all the villagers and playing just enough of the farming aspect to make nice gifts for them, that’s also valid! depending on the game, you can even eschew farming completely and be a rancher and just raise chickens, cows, or various.
Content Warnings: Religion, food, symbolic cannibalism, symbolic gore, penis mention, Blasphemy, SO MUCH BLASPHEMY, weapons, war mention. Mind the warnings and your health always comes first. Its a HILARIOUS story, I promise.
As always, all the names have been changed to protect people’s identities. This is a long one, so Press J now if you want to skip it.
When my dad was a young man and still a practicing catholic, he participated in a small church communion that nearly got him and six other people excommunicated.
Father Patrick ran a small church outside of California Polytechnical and tended to be… rather more liberal in his interpretations of scripture than most of the church was, which made him something of a hit with the local students and liberally-inclined populace. Pat went to all manner of civil demonstrations, condemned the shit out of the vietnam war and the politics that lead to it and so on. In January of 1969 a series of incidents lead him to start exploring “nontraditional” means of holding Mass as a means of reaching out to his community and exploring his own faith, which ultimately culminated in the 1969 Easter Mass Incident.
For those of you who weren’t raised catholic, Communion is this ritual where you become one with Jesus by eating a really horrible bland wafer cookie and taking a shot of wine (called hosts), which then *literally* become the flesh and blood of jesus in your mouth, allowing him to become one with you. It’s big McFucking deal, and you have the opportunity to take communion at every mass. All this had to be explained to me second-hand because after this and Dad’s 51 days in the army, Dad decided he wouldn’t inflict religion on any children he might have in the future.
*
“Hey dad,” Six-year old me asked the first time he told me this story after my practicing friends were talking about getting wine at church. “Isn’t that cannibalism?”
“We’re getting to that.” He waved.
*
The First Incident in January when, due to a serious cock-up by the church, all the hosts Father Pat received were moldering and spoiled and probably would have killed someone if he’d actually fed anyone them. But it was the first mass of the year, when a peak number of people came in after vowing to got to church more for new year’s. He couldn’t NOT have communion.
“I’ll bake.” offered Maria, the parish secretary and probably the best baker in the county. “So we have hosts. Jesus will understand.”
Father Patrick, not one to pass up the chance at Maria’s cooking, immediately agreed.
A Host is supposed to be composed solely of unleavened wheat flour and water, which is why they taste terrible. It’s a theological point of some importance relating to Exodus or something but Maria had an important theological counterpoint: Jesus both divine and loves all his children, ergo, Jesus would neither be a nasty bland cracker nor want his children to suffer as such and so instead, she made Mexican wedding cookies.
They were a SPECTACULAR hit. Many praises were heaped upon father patrick for the Much Better Wafers and that they’d be sure to show up next week as long as Maria kept making them. Father Patrick figuring that hey, anything that gets people in the doors is good and really, if it was turning into Jesus once inside the parishioner, did it really matter what the wafers were made of? So he continued to let Maria bake the Hosts, and encouraged her to try out new flavors, like nutmeg and cinnamon.
This went on swimmingly for a few weeks until The Bishop showed up for a surprise visit the same week Maria decided to experiment with rainbow sprinkles.
Dad remembers hearing the bishop through the windows roaring “THE HOLY BODY OF CHRIST DOES! NOT! CONTAIN! RAINBOW! SPRINKLES!”
The matter went clean up to The Archbishop, who decided that while Pat was probably right to not feed spoiled hosts to his parish, he should attend some remedial classes to remember what Communion was all about, so that if it happened again, he’s come up with a more suitable substitute.
Father Patrick returned in late March, full of spite and some fascinating new ideas.
*
“Is this where the Cannibalism happens?” Six-year-old me asked, eager to get to the good parts.
*
At his remedial classes, the teacher had stressed the importance of transubstantiation, aka “That bit where the wafer and wine, Actually, Literally, become the flesh of Jesus Christ and we expect you to swallow.” Also on the syllabus was understanding the importance of Christ’s suffering and sacrifice.
“So, I was thinking about Easter Service.” Said father Patrick one afternoon while dad was doing his computer science homework at the church because his dorm was a barely-standing fire hazard and the library was where you went to have sex.
“Well, we do re-enactments for christmas. Why not on easter? Why not re-enact the crucifixion of Christ right here? Make it real for everyone. Trauma’s great for bonding a community together.”
“Who’s playing Jesus?” asked Maria, always one for a good laugh.
“That’s the thing- A Host, it doesn’t look much like flesh, right? Doesn’t look like much of anything, really. Not great for reinforcing one’s belief.
What if, instead, we- and I mean you, Maria, I can’t cook to save my life- make a man-sized loaf of bread, maybe in the shape of a T, and we have some of the boys dress up as romans and whip the bread and we pour the wine on so it’s bleeding and them- then we make a big wooden cross and actually nail the bread to it with, I don’t know, railroad spikes, more wine all over. And we raise the cross, all while telling the story of the crucifixion.”
He paused to take a drink, Maria slowly crumpling onto the floor in horrified laughter and Dad now thoroughly distracted from his homework.
“Then we lower the cross, and invite everyone who wants to take communion up to tear a hunk of Jesus off. Just descend into his corpse like vultures. I think that’d really be a good bonding experience for the church.” he nodded thoughtfully. “The hard, part, I suppose, will be finding enough romans.”
“I WANNA BE LONGINUS.” bellowed my father, barreling into the room.
And so, the plan was hatched. Dad hit up every other guy in the Church and eventually rounded up four more romans, three of them from the Education Department of Cal Poly, and one guy from Chemistry, who just liked to watch things burn.
This, being a play, naturally meant that there was a rehearsal, and test Bread jesus. Maria had decided that if they were going to start being extra-literal, she needed to make the most lifelike Bread jesus possible, and made a distressingly buff and human-proportioned Jesus by Advanced bread-braiding, complete with plaited hair, quail’s-egg-and-raisin eyes, bready muscle groups, and an eight-pack because why not make the lord completely shredded?* She also made the important theological decision that since Jesus loves everyone and was happy to die in spite of all his suffering, he should be smiling, and had a toothy corn-kernel smile. He was Wonderful and Terrifying all at once.
“Maria,” asked Father Patrick after a few minutes of delighted and horrified cooing over Jesus’ toothy grin and abdominals. “Why is he wearing a tea-towel?
“Well, he’s the Son of God. A Man. With all that entails.” She said, pointedly staring at Father Patrick while everyone stared at the suspiciously lumpy tea-towel. “And he might have… burnt, slightly.”
Everyone nodded and agreed that the tea-towel was the best course of action. The rehearsal goes splendidly and everyone agrees that this is the most delicious Jesus they’ve ever had.
*
Easter Sunday arrives and the Church is PACKED, from the more lapsed Catholics showing up for a high holiday, parents visiting for spring break and a whole horde of newcomers who had gotten wind that something was up and they ought to come.
Dad is a lanky as hell 21-year old composed mostly of technical jargon and acne but he is STOKED to be playing Longinus, the roman that speared Jesus on the cross, because he gets to do the BEST technical effect in the whole parade. Since he came in at the end me missed a good portion of the sermon, but did hear the “oooh” from the crowd as the massive cross was dragged in by the other Romans, followed by horrified gasps and high screams and a discernible “What the FUCK” as they brought in Bread Jesus 2.0, whipping him enthusiastically, and hammering him into the cross, the sound of wine splashing onto the floor loud in the terrified silence of that Parishioners.
Finally Father Patrick gets to the part about Longinus, and Dad comes sprinting down the aisle as hard as he can, because in order for Bread Jesus to be seen by everyone, his middle had to be about 10 feet off the ground, so Dad had to run, shrieking latin curses, down the length of the church, with a big honking spear and take a flying leap at Jesus in order to spear him in the gut.
Please take moment to imagine you are some normal god-fearing catholic who has decided to visit little bobby or maybe patricia at college and you’re all going to church together like a nice family and this Fucking madman has decided to go all Silence of the Lambs on mass and now there’s some sort of underfed translucently pale man in ill-fitting Roman armor and cape flying at a horrifying glutinous effigy of your lord and savior, with an actual fucking spear, screaming like a madman. Don’t you feel yourself drawing closer to God already? Defensively, perhaps, like an octopus trying to ooze itself into a crevice against the horrors of the ocean.
However, two things happen that were not planned on
1. Dad misses. In his defense, Bread Jesus is close to but not quite the size of a man- more like the size of a doughy teenager, and his middle is a small target 10 feet up in the air and dad is has a computer science minor, not an athletics scholarship. He misses by about 8 inches and instead very solidly stabs Bread Jesus right through the groin, leaving a big hole in Maria’s tea-towel and the spear jutting out at a decidedly… attentive angle, as Bread Jesus’s Bread Dick drops to the floor with a splat. Nobody notices this, however because
2. In rehearsal, Dad had managed to get the spear right in jesus’s navel but neither Father Patrick nor the other romans could get the wine up there to make his middle appropriately bloodied.
Maria come up with the Genius solution that since wine is made of grapes and Jam is made of grapes, she could make a jelly-filled Jesus for Dad to stab. There was a normal-sized test loaf and when dad stabbed it on the table, it had a nicely gooey dribbling effect.
However, this time the loaf was torso-sized, still hot from the oven and upright, so when dad speared the very end of the loaf, all the steam-pressured jam had collected at the bottom and a spray of lukewarm smuckers exploded out from bread jesus, turning the first three pews into a splash zone of symbolic entrails.
There was a hot, sticky minute of complete silence in the church after that.
Then, Father Patrick indicated it was time for the cross to be lowered, and continued on with the normal preparations of the Host, he himself covered in hot smuckers, as though nothing particularly ordinary was occuring, quietly kicking the bread-dick under the altar. At the end of it all, Father Patrick and invited everyone up with the Last Oration:
“Thou, O God, has kindly allowed us to have a part in this Holy Sacrifice; for this we give Thee thanks. Accept it now to Thy glory and be ever mindful of our weakness. Amen.”
…And everybody came up, shuffling like terrified zombies, pinching off tiny bits at first but then the madness took them and they began tearing apart bread jesus by the handful, weeping as they partook, scattered prayers and begging for forgiveness. The whole congregation was kneeling about the altar, tearful and united in their guilt and their need for God.
*
“IS CHURCH ALWAYS LIKE THAT?” six-year-old me asked, absolutely stoked. I’d convert on the spot if I got a show like that.
“No, it’s normally bland wafers and lots of chanting in latin.”
“Well that’s boring as hell.” I remember muttering and Dad snorting the coffee he was drinking out of his nose.
*
As people filed silently out of the Church to a gloriously sunny California afternoon, faces wan and smeared with wine and jam, Father patrick turned to Maria and asked “You don’t think that was too much, do you?”
“No.” Said Maria with a sarcastic deadpan so intense it was hard to tell from sincerity.
It was the exact same tone she used when the Archbishop and Six other high clergy showed up, clutching a letter someone had written, Livid and almost foaming at the mouth, demanding to know if such blasphemy had transpired.
“No. That’s crazy.” She said, staring down the archbishop like he was an idiot.
“Such imaginations some people have!” Said Father Patrick, much less convincingly.
“And you- you didn’t… Spear an effigy of our lord and savior?” the archbishop demanded of my father.
“Do I look like I can jump that high?” Dad asked, having in the interim been drafted for 51 days then nearly died of pneumonia from it, and therefore no longer afraid of the Church, the Law or God.
Somewhat relieved that he’d only received the extremely detailed ramblings of a doddering parishioner, the Archbishop sat down and complemented Maria on her most excellent Mexican Wedding Cookies, may he please have another plate for his nerves? Perhaps the ones with sprinkles?
Dad went on to help build the internet, Father Patrick converted to Buddhism and Maria became a Nun.
*For those of you wondering, Jesus was made of Challah.
If you got a laugh out of this, please consider donating to my Ko-Fi or Paypal, as telling stories on the internet is my only source of income right now. Thank you very much and I hope you enjoyed it!
Not everything has been datamined yet and some things are subject to change or removal. **EDIT: female void elf lines added!**
Void Elf (male):
What am I into? Let’s just say some of my proclivities can run a bit… dark.
I do my best work in the shadows. Allow me to demonstrate.
The Void has taught me many secrets. Some of them can be most… satisfying.
As a rule, I don’t sprout tentacles. But in your case, I’ll make an exception.
When studying shadow magic, one learns to be flexible. Very… flexible.
You sate my hunger… and I’ll sate yours.
I know what you’re thinking… “Oh goody, another elf.” Well… I bet you weren’t expecting a VOID elf, now were you?
If you’re looking for tall dark, and brooding, that’s me. Well, dark and brooding, at least.
Say what you will about the tenets of the Void. At least it’s an ethos!
Would you believe purple has always been my favorite color? Even before I went void, I mean.
Alleria is my favorite Windrunner sister. Edgier than Vereesa, but slightly less homicidal than the dead one.
The fact that I wield void energies doesn’t mean I plan to consume everything I see. After all, I have a figure to maintain.
Old Gods… I mean, really? Some have mouths for eyes, others have eyes for mouths. Talk about a hot mess…
Void Elf (female)
They say the Void hungers. Let’s start off with a bit of nibbling.
Get nice and close. Whispers are kinda my thing.
Are you checking out my void form?
There is a void in my heart. Have you come to fill it?
Who needs the Light? It’s so much more fun in the dark.
You cannot a-void my charms.
The Void isn’t the only thing that’s insatiable.
No, we do not drink blood–that’s the San’layn. Totally different emo elf.
First was high, then blood, and now void. Get the order right.
Who does my hair? You might have heard of my stylist. It’s called THE VOID.
Gloomy? I’m not gloomy. I just dress that way… and talk that way… and act that way.
You think YOU have a dark side? Elf, please.
Well, yes, technically the Void does want to consume the entire cosmos. But I’ll settle for a smaller bite… for now.
No matter how much you plead, I will not sprout tentacles or turn into a giant eyeball. Well, I might. But not because you asked.
Lightforged Draenei (male)
I like it with the lights on. Not that I really have a choice…
Has it gotten brighter in here? Because you just turned me on.
I thought my tattoo said “Light’s Defender” in naaru. I found out it actually says “glowing goat”.
This world of yours is very strange. Talking bears who practice kung fu? On Argus, we call that a circus.
After being aboard a ship for so long, it is nice to walk on solid ground again. All those hard surfaces were murder on my hooves!
My life for Aiur… <cough> Argus. My life for ARGUS!
Have you ever seen the bunks on the Vindicaar? I can arrange a private tour.
If one more of you natives calls me a walking chandelier, I swear I’ll…
Sorry if my tattoos look a little dim. I forgot to charge my battery last night.
Face tentacles?! We do NOT have face tentacles! If we did, that would mean draenei are secretly emissaries of the Void, gaining your trust as we infiltrate your society so that we can bring about its end. And I’m certain you’re not implying THAT… are you?
I’m a draenei on the streets… but an eredar in the sheets.
The Vindicaar is a fast ship. You could say it travels at Light speed.
Lightforged Draenei (female)
When in doubt… touch anything that glows.
No, I do not have a glowing stamp above my tail.
Have you met my dog? His name is Barkenon Puppos.
Toes are overrated. Hooves make pedicures go sooooo much faster.
I don’t recommend walking barehoof on the Vindicaar. We keep finding tiny shards of crystal that didn’t get swept up.
We haven’t crashed the Vindicaar yet… but given our track record, it’s only a matter of time.
One downside of being Lightforged is that my S.E.L.F.I.E.S. are always overexposed.
Turalyon was the only human I saw for a thousand years. I assumed all of them were grizzled and scarred.
My turn-ons include my eyes, my tattoos, my armor… I mean, what doesn’t turn on?
I may be forged in the Light, but I know how to have fun in the dark.
Have you seen Prophet Velen’s new dance? He calls it the Mac’Areena.
Nightborne (male)
Your body must be a font of magic, because I’m irresistibly drawn to it.
You must know magic too, because you just made everyone else in the room disappear.
You’ve found the Arcway to my heart.
Mmmm, I wanna tap that ley line.
I think I’ve night-fallen for you.
I’ve got a feeling we were night-born for each other.
The stars have judged you, and found you… smokin’ hot.
Were you picked from the Arcan’dor? Because you’re the apple of my eye.
To be honest, most of the time something was quite right.
Why does everyone keep asking me to say that? Ughhhhh. Fine. An Illusion. What are you hiding.
My name is Roy, and I’m a mana addict.
It’s what I do. I drink arcwine… and I know things.
Back in my day, there was only one kind of elf. ONE.
I don’t know why they call it the Court of Stars. I hang out there all the time and I never see anyone famous.
Let’s be honest. Keeping a giant, angry dinosaur caged up in a zoo was bound to end badly.
Nightborne (female)
Is that an illusion in your pocket, or are you just happy to see me?
No illusions here. Everything you see is real… very real.
My Nightwell brings all the boys to the yard.
Animate? Detonate? I suggest we skip straight to replicate.
I’ll show you my ley lines if you show me yours.
I’ve been trapped in a bubble with the same guys for 10,000 years. You could say I’m ready for a little… variety.
There’s no area denial in this raid.
An allusion! What are you implying?
Roses are red, our city is fair. Is that a disguise? WHO GOES THERE?
Care for a glass of arcwine? I jumped on the berries myself.
Tyrande still looks good after all these years. Know if she’s seeing anyone?
I met this kal’dorei who told me my dress was the pinnacle of fashion… 10,000 years ago. Ouch! Those night elves really know how to throw shade!
Night elves? More like country elves! They live in trees, sleep in dens… sometimes even grow antlers. They’re not cut out for life in a REAL city.
You really must attend one of our parties in the Court of Stars. I’ve never met anyone more in need of a mask.
Highmountain Tauren (male)
Trust me… I have experience at exploring deep places.
My totem thunders. All. Night. Long.
Beware the deep places… of my heart.
Get as rough as you like. I’ve got a thick hide.
You must be an alchemist, because we’ve got great chemistry.
Why does that draenei couple keep asking me where Rocky is?
Let’s play a game. We take a drink every time a harpy screeches about earth and stone.
I may be a simple tauren from the mountains, but at least I don’t dig through worm dung for loot.
Ha! A buddy of mine convinced this epic-geared adventurer to kick fish into the river! Oh wait… that wasn’t you, was it?
A tauren, a yaungol, and a taunka walk into a bar. This isn’t a joke–it’s my family reunion.
What smells worse than a drogbar? Two drogbar. What smells worse than two drogbar? Nobody knows, because the stench will kill you.
Did you just try to hang your hat on my antlers? What do I look like, a coat rack?
Why settle for horns when you could have a rack like this?
I’m forming a group of tauren demon hunters. We’re called the Illi-dairy.
Highmountain Tauren (female)
So… wanna knock antlers?
Are you staring at my rack?
It’s not the size of the antlers. It’s the motion of the totem.
What do you get when you feed cocoa to a Highmountain tauren? Chocolate moose!
Why are the Rivermane always so calm? Because they’ve learned to go with the flow.
Brrrrr, it’s cold in here. In the mood for some ice cream?
Tauren make the best poets. Their verse is so moooooving.
You know the way to a woman’s heart? Hoof rubs. Trust me on this one, darling.
He said my eyes were “milky”. Talk about a mood killer…
I know Ethel. She’s actually a very fast walker. She just thinks it’s funny to mess with tourists.
You know, high-altitude living does wonders for one’s stamina. Allow me to demonstrate…
You don’t need to be from the Skyhorn tribe to join the mile high club.
We are Highmountain. Unless you’re leaving. Then we’re Goodbye Mountain.