I really adore Cirava, I’ve been wanting to do their analysis for so long! Well here it is! I don’t know what else to say.
I really want to do an analysis of the M.C., they’ve been giving some information about themselves and i have a few crazy theories about them and hiveswap. What do you think?
This stemc/uster is afraid of me… I have seen its true face. The scutt/e/anes are extended fi/th basins and the fi/th basins are fu// of b/ood and when the resif/uid channe/s fina//y scab over, a// the vermin wi// drown. The accumu/ated fi/th of a// their pai/ing and murder wi// foam up about their torso pi//ars and a// the quadrants-for-profit and po/itricksters wi// /ook up and shout “Save us!” … and I’// /ook down and whisper “No.”
a little over three years ago i was in a sweaty conference room in manhattan visiting the now defunct WP NYC studio (which was in a shared space sort of… tech venture situation??) sitting in on what was usually a remote meeting. I nervously stood in front of andrew and my director at the time (whos name was also james come to think of it) as well as a handful of other people. Toby was conference calling in like we both usually did.
They said since i was visiting from out of town I didn’t have to present anything at this weeks meeting like i usually did. I said I had something to show them anyway, since I didn’t like to sit around idly and wanted to make the most of my studio visit. I stood there half-moist with gross air-dampness only new york in summer can really provide knowing I had one opportunity to wow them in person.
“alright. remember all those sound effects for that highblood minigame? like… seltzer water? light bulb? honks? squeaks? ok well, I made them into a beat and added some airhorns and tuba-”
“more tuba?” said toby over the call
“hell yeah brother more tuba”
anyway this was that song. It was going to be for a minigame sequence (somewhere in act 2) but i wanted to use it here. originally it didn’t have a melody so i wrote a melody on banjo since you should definitely be reading all of chahuts lines in a very slow, methodical louisiana genteel southern accent.
Yogg-Sarongurt 